Leon, Lightfoot / Van Manen
On May 20, I went to see three new ballet pieces at the Palais Garnier here in Paris, Leon, Lightfoot / Van Manen. The first one, Sleight of hand choreographed by Paul Lightfoot and Sol León to Philip Glass’ Symphonie # 2, was, in my opinion, nothing short of incredible. It felt like a ballet version of the 2006 movie The fountain (except that I did not fall asleep this time).
So I’ve skipped a whole bunch of operas and ballets that I have attended since coming back from Argentina in January. These ranged from quite good (Dvorak’s Rusalka and Strauss’ Die Fledermaus, my first operetta - note to self: love the genre, need to see more of it!) to predictably classical (Verdi’s Otello) and even borderline pornographic (Chostakovitch’s Lady Macbeth of Mtsensk).
On May 20, I went to see three new ballet pieces at the Palais Garnier here in Paris, Leon, Lightfoot / Van Manen. The first one, Sleight of hand choreographed by Paul Lightfoot and Sol León to Philip Glass’ Symphonie # 2, was, in my opinion, nothing short of incredible. It felt like a ballet version of the 2006 movie The fountain (except that I did not fall asleep this time - granted, the ballet lasted 20 minutes instead of an hour and a half): beautiful, even breathtaking at times, and probably full of symbolism none of which I got. The only thing that I did not appreciate about it was that there were two roles, performed by a male and a female, which were 100% symmetric except that the female gets stripped of her clothes at the end while the male does not. Seriously?.. I find that such pointless exploitation of female nudity inevitably cheapens whichever context it appears in. On the plus side, the choreography was really spooky and unique, and Phillip Glass’ (Glass’s?) music was hauntingly beautiful even pre-recorded.
I don’t have much to say about the second piece, Trois Gnossiennes. The third one, Speak for Yourself, started off really weird (the audio thing in the beginning - what the hell was that?..) but it did have a really cool visual effect of a rain later on:
Speak for Yourself. Image credit: Agathe Poupeney for OnP
Normally I am not a huge fan of these super-contemporary-conceptual types of performance art (Goecke / Lidberg / Cherkaoui that I watched in the same opera back in winter was a nice evening, but left no lasting impression, I must admit). The Sleight of Hand, on the other hmmm hand, was a rare jewel!
My final highly subjective verdict: 8/10 (more precisely, I would give the first part a 10, and not bother rating the rest)
XOXO
Olga
Shop original artworks from the Studio Sale:
I went to the Easter Island in 2013, at a time when my life was going through big changes (graduating from grad school, and moving from the US back to Europe for my first full-time job). My most vivid memory of the island is a brief blackout that took place one of the nights that I was there. With no artificial lights as far as the eye could see, the sky was the most amazing sight. I could not recognize any of it, because this was the first time I really looked at the night sky in southern hemisphere, but that only contributed to the almost overwhelming sense of wonder.
Materials: Watercolor on Paper
Dimensions: 31 x 22.9 cm
This vibrant worker bee watercolor was inspired by a real bee that the artist saw pollinating flowers in front of a decorative mini windmill at Jardin du Port de l'Arsenal in Paris, France. Having recently left a tech job to pursue art, the artist named the work "Cleaning up the product backlog", amused by the resemblance of diligent bees and product owners / scrum masters in her previous career.
Dimensions: 20.9 x 29.7 cm
Painted using a photo Olga took on her trip to Cuba in 2017 as a reference.
Materials: Soft Pastel on Paper
Dimensions: 29 x 23.9 cm
Painted using a photo Olga took on her trip to Cuba in 2017 as a reference.
Materials: Soft Pastel on Paper
Dimensions: 29 x 23.9 cm
Painted using a photo Olga took on her trip around the Yucatan peninsula, Mexico in 2010 as a reference.
Materials: Soft Pastel on Paper
Dimensions: 29 x 23.9 cm
Impressionism is my preferred style when using soft pastels. Here it allowed me to focus on the values and the colors of this flower field, while discarding every unnecessary detail.
Materials: Soft Pastel on Paper
Dimensions: 23.9 x 30.7 cm
This is a mixed media (gouache + color pencil + ink on black watercolor paper) original illustration of the artist's story about a popular UrbEx destination, les catacombes interdites de Paris - i.e. the closed down queries spanning the undersurface of the city of Paris, 20 meters below ground level.
The first illustration in the series of seven.
Dimensions: 21.1 x 29.7 cm
This is a mixed media (gouache + color pencil + ink on black watercolor paper) original illustration of the artist's story about a popular UrbEx destination, les catacombes interdites de Paris - i.e. the closed down queries spanning the undersurface of the city of Paris, 20 meters below ground level.
The second illustration in the series of seven.
Dimensions: 21.1 x 29.7 cm
This is a mixed media (gouache + color pencil + ink on black watercolor paper) original illustration of the artist's story about a popular UrbEx destination, les catacombes interdites de Paris - i.e. the closed down queries spanning the undersurface of the city of Paris, 20 meters below ground level.
The third illustration in the series of seven.
Dimensions: 21.1 x 29.7 cm
This is a mixed media (gouache + color pencil + ink on black watercolor paper) original illustration of the artist's story about a popular UrbEx destination, les catacombes interdites de Paris - i.e. the closed down queries spanning the undersurface of the city of Paris, 20 meters below ground level.
The fourth illustration in the series of seven.
Dimensions: 21.1 x 29.7 cm
This is a mixed media (gouache + color pencil + ink on black watercolor paper) original illustration of the artist's story about a popular UrbEx destination, les catacombes interdites de Paris - i.e. the closed down queries spanning the undersurface of the city of Paris, 20 meters below ground level.
The fifth illustration in the series of seven.
Dimensions: 21.1 x 29.7 cm
Ever pass by an airport smoking lounge and feel like people are packed there like sardines in a tin? Here is a slightly less crowded version of that (these particular sardines are catching a red-eye flight from Philadelphia to Las Vegas). Silver metallic color pigment is applied over the fish skin. Number 28 and 13.02.2020 written in blue ink appear on the back of the painting.
Materials: Watercolor on Paper
Dimensions: 20.6 x 14.7 cm
The adventurous Rabbitiana Jones is off to steal the jungle's treasures. The back of this little watercolor contains the number 29 and 15.02.2020 (date when it was completed).
Materials: Watercolor on Paper
Dimensions: 14.7 x 20.6 cm
Mrs Tapir has done it again! Scuba diving like a pro, and making friends with a sea turtle: check.
Materials: Watercolor on Paper
Dimensions: 18.8 x 12.7 cm
This one is a lot more morbid than most of my other work. Here there is an elephant couple in savanna observing a nuclear bomb go off at a distance. By the time the mushroom cloud rises and spreads, only the elephant on the left remains, now forced to live out the rest of his days in solitude. To me this subject is a reminder how fragile life is, and that even in the most egocentric scenario, it is not enough to focus on one's own well-being.
Materials: Watercolor on Paper
Dimensions: 12.7 x 18.5 cm
The Crab is watching the Mantis Shrimp from a safe distance: as anyone will tell you, the mantis shrimp is no one to mess around with.
Materials: Watercolor on Paper
Dimensions: 18.8 x 12.7 cm
I have gone scuba diving in a kelp forest twice: first in the Channel Islands National Park in California, and then off the southern coast of Argentina, near Tierra del Fuego. The second time, I almost drowned after getting entangled in the giant algae and left behind by my group in near-no visibility freezing water. Luckily I survived to have another story to tell :) The Tapir on this watercolor took my lesson to heart, so don't worry, she will make it out alright, and very possibly pose for another painting!
Materials: Watercolor on Paper
Dimensions: 12.7 x 18.8 x cm
Another underwater watercolor that is inspired by my scuba diving adventures.
Materials: Watercolor on Paper
Dimensions: 18.5 x 12.7 cm
The seahorse has been one of the marine animals whom I wanted to see the most since I started scuba diving. With that in mind, I had planned a diving trip to the Philippines, which, as many things, had gotten postponed due to the Covid-19 pandemic. So for now the closest I have come to seeing a live seahorse is painting this thoughtful little guy in watercolor.
Materials: Watercolor on Paper
Dimensions: 12.7 x 18.5 cm
Being a huge animal lover, I often see what reminds me of them in inanimate objects. Galagos are small big-eyed and even bigger-eared nocturnal animals, similar to lemurs. I went to a concert by a funk band called Lucky Chops, where their brass instruments made me think of galago's ears. Next, Lucky Galago was born!
Materials: Acrylic on Paper
Dimensions: 29.7 x 41.9 cm
Being a huge animal lover, I often see what reminds me of them in inanimate objects. In this case, an artichoke spotted at a fruit and vegetable stand on a Parisian street evoked an image of a pangolin - or, a pangolinA, to be precise!
Materials: Acrylic on Paper
Dimensions: 29.7 x 41.9 cm
Being a huge animal lover, I often see what reminds me of them in inanimate objects and plants. Take a hedgehog: she is basically a cactus gone rogue. She starts her life as a cactus, then gradually develops into a mammal, starting at the top. The transformation requires more nutrients that the desert can provide, but luckily the adorable little self-cannibal can eat its own flowers at this intermittent stage.
Materials: Acrylic on Paper
Dimensions: 29.7 x 41.9 cm
This work was inspired by the family (herd? family sounds more respectful) of coatis that I saw at the Iguazu Falls somewhere between Argentina and Brazil. Their pointy little faces reminded me of the hummingbirds' beaks, and hence the Iguazu Affair was born.
Materials: Acrylic on Paper
Dimensions: 29.7 x 41.9 cm
Being a huge animal lover, I often see what reminds me of them in inanimate objects. A mop is just an octopus-to-be.
Materials: Acrylic on Paper
Dimensions: 29.7 x 41.9 cm
The latest work in progress from instagram.com/olgapaints:











Machu Picchu was one of the places I dreamed of visiting since I was a kid (when I mistakingly thought that's where Indiana Jones' adventures took place). I was fortunate to go there in 2009. The ancient Inca city slowly appeared from the thick fog that early January morning, and all I could think of was... french toast.
Materials: Watercolor on Paper
Dimensions: 31 x 22.9 cm